Difference between revisions of "The R3:103 2014"
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|align="right"|80||align="right"| ||align="right"| ||align="right"| || | |align="right"|80||align="right"| ||align="right"| ||align="right"| || | ||
|- bgcolor="#ccFFee" | |- bgcolor="#ccFFee" | ||
| − | |align="right"|81||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|81||align="right"|--||align="right"|0||align="right"|#391#||SLATES - Molina Blues |
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| − | |align="right"|82||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|82||align="right"|22||align="right"|7||align="right"|378||Alvvays - Adult Diversion |
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| − | |align="right"|83||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|83||align="right"|--||align="right"|0||align="right"|#405#||High Ends - Downtown |
|- bgcolor="#ccFFee" | |- bgcolor="#ccFFee" | ||
| − | |align="right"|84||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|84||align="right"|2||align="right"|8||align="right"|414||New Pornographers - Dancehall Domine |
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| − | |align="right"|85||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|85||align="right"|1||align="right"|7?||align="right"|416||Elliott Brood - Tired |
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| − | |align="right"|86||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|86||align="right"|23||align="right"|5?||align="right"|417||Mo Kenney - Telephones |
|- bgcolor="#ccFFee" | |- bgcolor="#ccFFee" | ||
| − | |align="right"|87||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|87||align="right"|?||align="right"|?||align="right"|?||Shad & DJ T. - Hang On |
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| − | |align="right"|88||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|88||align="right"|?||align="right"|?||align="right"|?||Stars - Trapdoor |
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| − | |align="right"|89||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|89||align="right"|28||align="right"|3?||align="right"|41||Lydia Ainsworth - PSI |
|- bgcolor="#ccFFee" | |- bgcolor="#ccFFee" | ||
| − | |align="right"|90||align="right"| ||align="right"| ||align="right"| || | + | |align="right"|90||align="right"|21||align="right"|8?||align="right"|415||WISH - Retrograde |
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|- | |- | ||
|align="right"|91||align="right"|5||align="right"|8||align="right"|413||Rich Aucoin - Want to Believe | |align="right"|91||align="right"|5||align="right"|8||align="right"|413||Rich Aucoin - Want to Believe | ||
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NoW - Number of Weeks in the R3:30<br> | NoW - Number of Weeks in the R3:30<br> | ||
WoE - Week of Entry into the R3:30<br> | WoE - Week of Entry into the R3:30<br> | ||
| + | #000# - First week on voting list if track never made it to the top 30<br> | ||
Revision as of 13:34, 2 December 2014
Originally broadcast on ?????????
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| 81 | -- | 0 | #391# | SLATES - Molina Blues |
| 82 | 22 | 7 | 378 | Alvvays - Adult Diversion |
| 83 | -- | 0 | #405# | High Ends - Downtown |
| 84 | 2 | 8 | 414 | New Pornographers - Dancehall Domine |
| 85 | 1 | 7? | 416 | Elliott Brood - Tired |
| 86 | 23 | 5? | 417 | Mo Kenney - Telephones |
| 87 | ? | ? | ? | Shad & DJ T. - Hang On |
| 88 | ? | ? | ? | Stars - Trapdoor |
| 89 | 28 | 3? | 41 | Lydia Ainsworth - PSI |
| 90 | 21 | 8? | 415 | WISH - Retrograde |
| 91 | 5 | 8 | 413 | Rich Aucoin - Want to Believe |
| 92 | 2 | 8 | 414 | Bahamas - Stronger Than That |
| 93 | 5 | 5? | 417 | Operators - Start Again |
| 94 | ? | ? | ? | Rah Rah - Good Winter |
| 95 | ? | 1? | 422 | Viet Cong - Continental Shelf |
| 96 | ? | 1? | 422 | Hey Rosetta! - Harriet |
| 97 | 12 | 2? | 421 | In-Flight Safety - Blue Flares |
| 98 | 9 | 8? | 415 | The Provincial Archive - Full of Water |
| 99 | 12 | 9 | 382 | Tokyo Police Club - Hot Tonight |
| 100 | 1 | 4? | 419 | Sloan - Take it Easy |
| 101 | 11 | 5? | 418 | Zeus - 27 is the New 17 |
| 102 | 3 | ? | 420 | The Wooden Sky - Maybe It's No Secret |
| 103 | 2 | 8 | 395 | Scary Bear Soundtrack - The Longest Night(feat. Avid Napper) |
Pos - Possition in the R3:103
HPR - Highest Possition Reached in the R3:30
NoW - Number of Weeks in the R3:30
WoE - Week of Entry into the R3:30
- 000# - First week on voting list if track never made it to the top 30
